| 1970 |
Three Pieces for Piano |
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First Performance: |
November 17, 1970, Suk Hall, Prague; |
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Boris Krajný, piano |
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Symphony |
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First Performance: |
June 12, 1971, Smetana Hall, Prague; |
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Prague Symphony Orchestra, Jindrich Rohan, conductor |
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| 1971 |
Sonata for Solo Flute |
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First Performance: |
September 19, 1971, Janácek Hall, Prague; |
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Jan Riedlbauch, flute |
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| 1972 |
Two Episodes for Bass Clarinet and Piano
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First Performance: |
September 28, 1972, Janácek Hall, Prague; |
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Due Boemi di Praga: Josef Horák, bass clarinet; |
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Emma Kovárnová, piano |
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Extended Version: |
Two Episodes for Bass Clarinet, Piano and Percussion
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First Performance: |
December 15, 1985, Suk Hall, Prague; |
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New Music Trio, Sofia; Petr Karparov, artistic director |
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| 1973 |
Lament of a Warrior’s Wife  |
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for
soprano, viola, bass clarinet, piano, percussion (two players), and
tape |
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First Performance: |
May 23, 1974, International Rostrum of Composers UNESCO, |
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Paris, France; |
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Brigita Šulcová, soprano |
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Communication |
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for
solo bassoon |
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First Performance: |
May 14, 1974, Dvorák Hall, Prague; |
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František Hermann, bassoon |
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| 1974 |
Concerto No. 1 for Piano and Orchestra |
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First Performance: |
February 8, 1976, Grand Auditorium of the Austrian Radio, |
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Vienna, Austria; |
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Peter Toperczer, piano |
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Austrian Radio Symphony Orchestra, Vladimír Válek,
conductor |
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| 1975 |
Invention for Piano |
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First Performance: |
February 8, 1976, Dvorák Hall, Prague; |
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Jarmila Kozderková, piano |
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| 1976 |
Solaris |
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Radio
Opera for soloists, choir and orchestra, after the novel by Stanislaw
Lem |
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First Performance: |
September 28, 1977, Prix Italia, Venice, Italy |
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| 1977 |
Two Inventions for Flute and Guitar |
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First Performance: |
October 23, 1977, Nemcová Hall at the Strahov Monastery; |
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Vítezslav Drápal, flute; Milan Zelenka, guitar |
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| 1978 |
Sonata for Solo Viola |
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First Performance: |
May 25, 1979, Dvorák Hall, Prague; |
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Jan Peruška, viola |
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| 1979 |
Duo Concertante for Violin and Piano |
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First Performance: |
March 11, 1980, Grand Hall of the Municipal Library, Prague; |
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Jirí Tomášek, violin; Josef Ružicka, piano |
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| 1980 |
Concerto for Violin and Orchestra |
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First Performance: |
September 17, 1981, Dvorák Hall, Prague; |
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Petr Messiereur, violin; |
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Czech Philharmonic Orchestra, Zdenek Košler, conductor |
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| 1981 |
String Quartet No. 1 |
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First Performance: |
April 22, 1982, Grand Auditorium of Radio France, Paris, France; |
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| 1982 |
Words |
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Three
Songs for mezzo-soprano and chamber orchestra
on
the poetry of Jirí Žácek, Markéta Procházková,
and Milan Rúfus |
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First Performance: |
January 25, 1983, Smetana Hall, Prague; |
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Brigita Šulcová, mezzo-soprano; |
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Prague Symphony Orchestra, Jirí Belohlávek, conductor |
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| 1983 |
Wolkeriana |
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for
soprano, tenor, mixed choir and orchestra, on the poetry of Jirí
Wolker |
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First Performance: |
May 30, 1983, Smetana Hall, Prague; |
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Brigita Šulcová, soprano; Leo Marian Vodicka, tenor; |
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Prague Radio Choir; Prague Radio Symphony Orchestra, |
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Jaroslav Krombholc, conductor |
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| 1983 |
Songs of Hope |
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for
a cappella mixed choir and solo soprano
on
the poetry of Václav Hons, Josef Hora, and Vít?zslav Nezval |
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First Performance: |
May 17, 1986, Dvorák Hall, Prague; |
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Prague Philharmonic Choir, Lubomír Mátl, conductor; |
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Brigita Šulcová, soprano |
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| 1984 |
To the Future Earth |
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for
solo bass, mixed choir and orchestra, on the poetry of Miroslav Florian |
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First Performance: |
November 19, 1985, Dvorák Hall, Prague; |
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Richard Novák, bass; Kühn Mixed Choir; |
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Prague Symphony Orchestra, Jirí Belohlávek, conductor |
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Trio for Violin, Viola and Cello |
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First Performance: |
November 4, 1984, Concert Hall of the Academy of Music, |
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Vienna, Austria; |
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Jirí Tomášek, violin; Hubert Šimácek,
viola; Václav Jírovec, cello |
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| 1985 |
Song of Man |
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Television
Ballet |
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First Performance: |
June 17, 1986, The ‘Golden Prague’ International TV
Festival; |
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Prague Chamber Ballet Company, Pavel Šmok, artistic director; |
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Prague Radio Choir; Prague Radio Symphony Orchestra, |
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Libor Pešek, conductor |
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| 1986 |
Symphonic Ouverture |
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First Performance: |
April 17, 1987, Grand Hall of the Tchaikovsky Conservatory, |
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Moscow, Russia |
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Moscow Philharmonic Orchestra, Gennady Rozhdestvensky, conductor |
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String Quartet No. 2 |
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First Performance: |
December 6, 1987, Neumann Hall, Strahov Monastery, Prague: |
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Stamic Quartet |
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| 1987 |
Trio for Violin, Cello and Piano |
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First Performance: |
June 12, 1987, Madrid, Spain; |
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Trio Mompou |
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Concerto for Winds and Percussion |
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First Performance: |
April 11, 1988, Festival of New Music, Florida State University, |
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Opperman Music Hall, Tallahassee, Florida; |
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FSU Wind Orchestra, |
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Carl Bjerregaard, conductor |
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| 1988 |
Concerto Grosso |
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for
violin, piano, percussion and string orchestra |
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First Performance: |
December 4, 1988, Theatre Chaillot, Paris, France; |
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Orchestre National de France, |
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Arturo Tamayo, conductor |
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| 1989 |
Divertimento I , “Bläserharmonie” |
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for two oboes, two clarinets,
two horns and two bassoons |
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First Performance: |
August 12, 1989, Salzburg Festival, Grand Hall of Mozarteum, |
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Salzburg, Austria; |
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Collegium Musicum Pragense |
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The Blue Bird |
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Cantata
for children’s voices and chamber ensemble, after Maurice Maeterlinck,
text by Vera Provazníková |
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First Performance: |
July 30, 1989, Nantes, France |
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Kühn Children’s Choir, |
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Jirí Chvála, conductor |
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| 1991 |
Concerto for Flute and Percussion Ensemble,
“The Late Afternoon of a Faun” |
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First Performance: |
April 19, 1992, Festival of New Music, Florida State University, |
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Opperman Music Hall, Tallahassee, Florida; |
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Shelley Binder, flute; FSU Percussion Ensemble, |
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Gary Werdesheim, conductor |
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| 1992 |
Der Weg (The Way) |
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for
counter-tenor, clarinet, viola, contrabass, and percussion (two players),
text by Franz Kafka |
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First Performance: |
October 30, 1993, Martinu Hall, Prague; |
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Steven Rickards, counter-tenor; |
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Members of the Czech Philharmonic Orchestra, |
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Mario Klemens, conductor |
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The Magic Horn |
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for
solo horn |
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First Performance: |
May 25, 1993, 25th Conference of the International Horn Society, |
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Opperman Music Hall. Tallahassee, Florida; |
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Michelle Stebleton, horn |
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| 1993 |
Symphony for Winds and Percussion |
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after
the painting Discovery of America by Salvador Dalí |
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First Performance: |
October 21, 1993, Opperman Music Hall, |
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Florida State University, Tallahassee, Florida; |
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FSU Wind Orchestra, James Croft, conductor |
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| 1994 |
Angels and Airplanes |
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for
oboe, clarinet, bassoon, and piano |
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First Performance: |
October 11, 1994, Weill Hall at Carnegie Hall, New York; |
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Opperman Reed Trio, Carolyn Bridger, piano |
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| 1995 |
Elegy in Two Movements |
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for
solo cello |
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First Performance: |
November 25, 1995, Florida State Music Teachers Association, |
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Fort Myers, Florida; |
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Lubomir Georgiev, cello |
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Music for Nine Wind Instruments (Divertimento
II) |
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for
flute, oboe, clarinet, bassoon, horn, two trumpets, trombone, and
tuba |
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First Performance: |
April 18, 1996, Music Educators National Conference |
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Kansas City, Missouri; |
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FSU Faculty Wind Ensemble, James Croft, conductor |
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| 1996 |
The River in Spring |
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Three
Fragments from Franz Kafka’s “The Great Wall of China”
for mezzo-soprano
and percussion (three players) |
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First Performance: |
January 10, 1997, Florida State University, Opperman Music Hall; |
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Tina Stringfellow, mezzo-soprano, FSU Percussion Ensemble, |
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Paul Bamonte, conductor |
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| 1997 |
In Night |
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for
baritone, clarinet, bass clarinet, violin, viola, piano and percussion,
text by Franz Kafka |
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First Performance: |
November 18, 1998, Florida State University, Dohnányi Recital
Hall |
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Jerrold Pope, baritone; FSU New Music Ensemble, |
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Alexander Jiménez, conductor |
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| 1998 |
ad vitae fontes aquarum |
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for
wind orchestra |
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First Performance: |
October 20, 1998, Florida State University, Opperman Music Hall; |
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FSU Wind Orchestra, James Croft, conductor |
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Concerto No. 2 for Piano and Orchestra (“Concerto
Breve”) |
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First Performance: |
February 3, 2001, Florida State University Tenth Biennial Festival
of |
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New Music, Ruby Diamond Auditorium, Tallahassee,
Florida; |
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Joanna Sobkowska, piano; FSU Symphony Orchestra, |
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László Marosi, conductor |
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| 1999 |
Sinfonietta No. 1 for
nineteen instruments |
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First Performance: |
November 15, 1999, Cleveland, OH; |
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Cleveland Chamber Symphony, Andrew Rindfleisch, conductor |
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Sinfonietta No. 2 for Orchestra, “Jacob’s
Well” |
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First Performance: |
February 5, 2005, Florida State University Twelfth Biennial Festival |
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of New Music, Ruby Diamond Auditorium, Tallahassee,
Florida; |
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FSU Symphony Orchestra, Alexander Jiménez, conductor |
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| 2000-02 |
Songs of Zhivago for tenor
and orchestra / tenor and piano |
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on the
poetry of Boris Pasternak |
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First Performance: |
Scheduled for November 2, 2006, Dvorák Hall, Prague |
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Adrian Thompson, tenor |
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Czech Philharmonic Orchestra, Vladimír Válek, conductor
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| 2003 |
Trio for Clarinet, Cello and Piano, “Metamorphoses”
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First Performance: |
November 8, 2004, Dvorák Hall, Prague |
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Florida Trio Con Brio (Frank Kowalsky, clarinet; |
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Lubomir Georgiev, cello; Carolyn Bridger, piano) |
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| 2004 |
Sonata for Trombone and Piano |
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First Performance: |
June 18, 2004, 33rd International Trombone Festival |
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Ithaca, New York |
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Jay Evans, trombone; Joanna Sobkowska, piano |
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| 2005 |
Portrait for piano and percussion
(2 players) |
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First Performance: |
June 14, 2006, Concert Hall of the Pálffy Pallace |
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Prague, Czech Republic |
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Joanna Sobkowska, piano; Radek Krampl, Petr Holub, percussion |
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